We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Good Day Better

by Benyaro

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $7 USD  or more

     

  • Compact Disc (CD) + Digital Album

    Digital circular disc w/ album art & liner notes for your pleasure!

    Includes unlimited streaming of Good Day Better via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    Purchasable with gift card

      $12 USD or more 

     

  • T-Shirt/Apparel

    AMERICAN APPAREL ladie's & men's short-sleeved, soft cotton t-shirts!
    Ladie's - S,M,L
    Men's - M,L,XL
    Heather blue (ladie's & men's -- limited availability)
    Heather lavendar (ladie's)
    Heather Grey/Blue (ladies and mens -- limited availability)
    Green (men's) - OUT OF STOCK
    Shown: ladie's blue M, men's blue M, ladie's lavendar M, men's green M
    ships out within 7 days
    Purchasable with gift card

      $20 USD or more 

     

  • Benyaro baseball hats in 3 different styles! Flat brim and 2 curve brims. Pimp your style!

    1 size fits all

    Hats ship in flat jiffy, just a heads up.
    ships out within 7 days
    3 remaining
    Purchasable with gift card

      $20 USD or more 

     

1.
Pisces 03:43
You are just like me and I love you The possibilities have always plagued my mind But would I use up all your love and take for granted your kind? Though my style on some fine girls cut and marked I never meant you no harm Now your future is brighter than the Austin sun. I fall in love with everyone fall in love with everyone Then I just gave up on what’s up with the city where I scrape by the days And sweat each penny Thank God for friends with class enough to bring me to you Worth it was the pain I slept through I’d get up and lock up the tears, I tried everything I knew and learned over the years to burn out While you courted Cancer. But you, you’re not like me, why do I love you? Is it more than just those eyes? Or does it have to be when all I see is “you are mine.” Now the twins have caught their fish, this fish is done And I can’t fall in love with anyone…..fall in love with anyone….
2.
New Orleans 03:28
staring at a pale yellow moon crawling out above our Crescent womb with the hammer pulled and barrel pressed hard and cold to her head and only a few meek say "How could we let this be" 'cause every light turns green when I roll down her streets and every song I sing takes me back to New Orleans lifted by the gold reeds and brass I listen for the ghosts of our past dancing down her flooded streets to long lost Creole beats and slowly a dirge leads to hot-rag-swing and covers me 'cause every light turns green when I roll down her streets and every song I sing takes me back to New Orleans I can see her standing there back against the wall and I can see her rise above it all and every song I sing (down in New Orleans!) in every blue note's ring (down in New Orleans!) every strand of beads (down in New Orleans!) in her great mossy trees (down in New Orleans!) and every smile I see (down in New Orleans!) takes me back to New Orleans
3.
I tried to hold her hand as a young man Know her name would suffice But smiles that feel like September Don’t hit you till the time is just right. Those skies have all cleared I feel those dry blues new place to touch from that sight the push and pull of knowing those moments the weaknesses of wrong and right. Turn your eyes on me Thaw my soul solid since I’ve known you You just made a good day better With 3 words and good energy Learn out your best while we’re leaning And aim to cloak your brother’s wet plight With warm heart intention seeking truth The soft look of a neophyte Turn your eyes on me Thaw my soul solid since I’ve known you You just made a good day better With 3 words and good energy Long breath proves some presence and I know it’s time… To turn your eyes on me thaw my soul solid since I've known you You just made a good day better You know you make a good day better You know you make a good day better you know you make a good day you just made, a good day better
4.
Once you hear those cutting words The kind you know the end is near When a woman of fine stone crumbles your night With an invitation, a little drunk and so shy Like a wound in a place you’ll never be Everyone with a heart knows of what I preach And darlin’, know that you’re so green Where do you go when the one who lifts you up has got you down? I don’t know so much, if our second verse Will start and grow again and hurt Just like all the time, beside you. See now and then it feels like I’m on a shelf To watch your slow indifference, so go to hell And I know you’ll never win my love. What do you do when the one who lifts you up has got you down? From what I understand it takes (a little) more of a man. Perhaps I should walk off this stage and build a billboard, be a banker. So once you feel those cutting words The kind you know the end is here. Gone are hope, lies, memories and my confidence I’ll wipe the dirt from my knees And left, the hollowness of this deal Where do you go when the one who lifts you up has got you down down down, etc
5.
6.
Dogs 03:00
We’d walk out in the rain and you’d never see Your life that’s down the road. Shivering like a boat alone on the sea But I still find the time for you and me Patience are hard to hold for a man of uncertainty The smiles you brought were always so key. Been living like a dog for so damn long… You know it’s time to go when you even bring your mother down You tired her out from hanging around. But deeper ends than most you know she’d never do you no harm And I hope to God she won’t get this song. Been living like a dog for so damn long… They say his heart is all he’s got, no body and no mind. But Sadie comes, the Bird goes, dressed in Rags… Been living like a dog for so damn long. They say he was my best friend, how’d they know?
7.
When living ain’t working, worth all these stories And time is in your mind, standing still Describe the cost that’s squeezing your guts Temptation in walking back home, feeling fine. But at what point do you call off forever? Trade a pair of eyes for a wall. you squint to see the day when you thought you were so clever Only keeping time for yourself All in all, we know people who can go to hell You’re not one. Try to find yourself some soul brother Get on down and be someone Considered the boss of all the broken hearted You look west, and you get burned Still smilin’ on the floor. Not to pretend too bad, how it shakes your conscience Playin’ with her blood paint it on the ground But at what point do you call off forever? Trade a pair of eyes for a wall. And you squint to see the day so sure you were so clever Only keeping time for yourself But all in all, we know people who can go to hell You’re not one. Try to find yourself some soul brother Get on down and be someone Oh, thought of home, sounds so right When you’re on the road But there’s part, down deep inside A tall, strong horse, defeats your pride And there you stand…. knowing people who can go to hell but you’re not one. Try to find yourself some soul brother Get on down and be someone….please.
8.
Eureka 05:04
Have you ever been a victim of expectation In a Humboldt county town? Maybe I’m the first to put a bet on this place, find that fool’s gold bring you down. Oh, Eureka Didn’t expect to have you treat me so bad when I hardly even knew you, heard about a bitch like you from my dad. I left my friends out in Portland, the NE quad Despite advice hindsight proved strong To head for a date with coffee and chocolate Down the coast to sing my songs I stumbled down to the Golden State 50 degrees dropped and much more cold to come Like her indifferent doorstep beatniks’ misty glares Even green grass browns so quick to turn blue in Eureka...(chorus) All alone and unwelcome I took a breath of grass To pass the time and hoped the chance would come to tear off my clothes for 5 people while the lights burned hot And leave my life on the side of the road… For any passing stranger, friendly or deranged bird Everything I worked for gone and to the pawn shops of Eureka (chorus solo) Now most times I’m one for intuition I’m a 12th house water sign But even good men need to feel a sting to stay humble When they’ve been so dumb and blind So don’t you ever be a victim of expectation In this dark, damp, dirty town Where the meth heads cost just a dime a dozen And the fool’s gold brings you down…God damn, Eureka!
9.
From a cajun diner to Carolina Sick in the mornin' to see the town doctor Life and Agatha Christie in a Trailway Back from New Orleans Who dunnit, who carried you From the church yard to the liquor store From the clothes line clean out the door Life and Agatha Christie in a Trailway Back from New Orleans Who dunnit, who carried you Thelma Marie, three boys love Pearl and Gene From fifty-nine to heaven Left thirty-seven years oh Lord Who dunnit, who carried you Remember sittin' on a lap Smellin' listerine in black and white Might be a Fada TV, or a Fleetline to the A&P Who dunnit, who carried you Thelma Marie, three boys love Pearl and Gene From fifty-nine to heaven Left thirty-seven years oh Lord Who dunnit, who carried you From a cajun diner to Carolina Sick in the mornin' to see the town doctor Life and Agatha Christie in a Trailway Back from New Orleans Who dunnit, who carried you
10.
So what if I were to compete with you Or did exactly things the way you wished me to would you shut up? These wasted (urgent) years have come to realize To rise above this standard mess time takes no sides Maybe your past is what gets to (you blue) The weight of squandered chance those bags are all you So please leave me out… so we’re not down on that road all the time sometimes a mother and daughter go blind (mom) Close your legs and stand up straight my girl Cause that’s not how the women misbehave where you come from It doesn’t matter how you steer, where you look or go ‘cause experience is mine and always your foe Until the day I’m dead then pass that privilege on Hold it over (nice and) high (just) like my mom (mother) And one other thing that you should be aware of Is until then I refuse to undress these gloves. So we’ll go down on that road all the time And sometimes a mother and daughter go blind (daughter) the truth is a smile is what I bring for you But heaven forbid a bridge be built to where you run some kingdom And for you to show one god damned ounce of proud declaration of who I am is enough acceptance to last this child their (a) lifetime And why voice is about to break is surely sign enough for me to show Just how much I love you… and I hate you… So we’re down on that road all the time Sometimes a mother and daughter go blind Unlikely strangers, sad eyes begging kindly “take me for what I’m forever… Take me for while I’m alive” Though it’s in vain to share in this friction It’s there just the same Brings old age Frustrates and dries up our roots So you, and me, let’s get (enter females) down off that road this time………… And promise me we won’t go blind. Let’s get down off that road….. this time …..this time (We promise that we won’t go blind) – (lead cuts out) (hi back up line?) (Down off that road this time) (we promise that we won’t go blind) So to deaf ears I call to you and with squinted eyes you stare at me Just believe that I’m really there (kate?) An excuse will keep the relationship tense Like you’ve settled on building a goddamned fence and that’s final And you can’t come in because I blame you for everything. Let’s grow up and purge all this pain (we can get over this) Let’s grow up time’s slowly walking away Let’s grow up you mean more than I can say Let’s grow up and put our ego’s away Let’s grow up together and share Let’s grow up and shut up today (See my knuckles they’re white) (And though I know the same from my mother I have to make this situation)
11.
Spend some time with yourself Don’t you need to? Spend some time with yourself Don’t you need, don’t you need. Know you’ll always have that choice When you need Running ‘round with that voice Soon you’ll be, soon you’ll be be better So take some time for yourself When you need From far away I’ll watch it burn But from my knees And the New York sun May warms And we all need, we all need to feel better So take some time for yourself Don’t you need Take some time for yourself Take some time for yourself Take some time for yourself
12.
More or Less 03:56
Gather ‘round again This borrowed TV set And let the smoky acres catch my breath Hand me the wine Before my health declines And strangers come to turn me in my bed And I can’t explain Cool like sleep Makes the confidence defeat The purpose for the tubs of gasoline I can’t say You’ve been there all the way But, now and then, the broom’s below my feet And I can’t explain Suburb dreams Where everybody’s clean And consequence is anybody’s guess I can’t see How anybody sleeps By the light of the more or less Look past the rooms Where comfort comes in tubes And grabs the sticky feeling from the floor Take your chance: Sell all the things you have To compensate for what your friends adore ‘Cause I can’t explain anymore Suburb dreams Where everybody’s clean And consequence is anybody’s guess I can’t see How anybody sleeps By the light of the more or less

about

The Story of 'Good Day Better' - 2010

Brooklyn, NY based acoustic roots/soul band Benyaro follows up its self-released, self-titled, nationally charting (CMJ) debut album with 'Good Day Better'. The LP dropped March 24, 2010 in New York City.

Recorded in Charlottesville, Virginia and New York, New York in the brutal winter of 2010, 'Good Day Better' features Ben Musser’s strongest offering of original material to date and classic songs penned by Scott Claassen, Malcolm Holcombe and Diana Jones.

'Good Day Better' unpredictably explores and expands the boundaries of acoustic music offering 12 tracks of folk, country, rock, gospel, blues, soul and beatboxing/house. The songs are inspired by family, places, pets, lovers and draw on the emotions that exist from engaging in those relationships. Such sentiments are unequivocally reflected in Musser’s vocal performances which overflow with feeling while the beautiful, vulnerable, yet occasionally stern vocals of Meg Chamberlin perfectly offset the masculinity of Musser’s and Bobby McCullough’s voices.

The LP was produced by founder Ben Musser, and for the first time features the smooth sounds and influences of upright bassist / back up vocalist, Bobby McCullough. The new collaboration between Musser and McCullough produced extraordinary arrangements and a multi-dimensional album.

In the end we are left with Good Day Better, a truly independent album that makes a strong case for acoustic music in a period dominated by electric sounds, imitation and one-dimensional ideas. "Good Day Better' attempts to create music for today. Genuine artists have a responsibility to move art forward, not backward to an era that is gone. Respecting listeners by offering them something new and unique while simultaneously treating them to touches of familiarity along the way was a constant concern and goal of Musser’s. One can hear such ideals when listening through 'Good Day Better'.

credits

released March 24, 2010

----------

Musicians:

Ben Musser: lead and harmony vocals, nylon/steel/12 - string guits, drums/percussion, piano, Wurlitzer, harmonica, beatbox

Bobby McCullough: upright bass, harmony vocals

Meg Chamberlin: lead and harmony vocals

-

Scott Claassen: piano on "New Orleans" and "Cutting Words", backing vox on "New Orleans"

Charles Schiermeyer: tenor sax on "Eureka" and "More or Less"

Camille Obering and Gar Ragland: backing vocals on "New Orleans"

----------

Produced by: Ben Musser
Recorded by: Jamal Millner at The Sound and MAP, Charlottesville, VA
and: Gar Ragland at The Wooster Loft in SoHo, NYC
Mixed by: Tony Shimkin for Noble Music and Musser
Mastered by: Jeff Lipton for Peerless Mastering, Boston, MA
Asst. Mastering Engineer: Maria Rice
Additional Recording help from: Chuck Schiermeyer, Andrew Gearhart at Hard Luck, and James McLaughlin at The Sound, and Keith Moore
Graphic Design by: Karen Reasoner @ PorterOneDesign.com
Drawings by: Ben Musser

----------

tracks 2,12 (c) 2006 Dedales de Oro/BMI
track 5 (c) 2006 Yarjones/ASCAP
track 9 (c) 1993 Purple Girl Music/BMI
all other tracks (c) 2010 Mohinga Music/ASCAP

license

all rights reserved

tags

about

Benyaro Jackson, Wyoming

From the dank depths of the Brooklyn subways to the spiritually orgasmic heights of Jackson Hole WY, Ben Musser's indie roots project BENYARO carves a unique path w 1 rule: make great art. Honest, vulnerable shit. Neil Jenny once told Ben "In order to create something truly unique 1 must shut out the influence of others". If anything, here's a killer contemporary artists' advice applied to music. ... more

contact / help

Contact Benyaro

Streaming and
Download help

Shipping and returns

Report this album or account

Benyaro recommends:

If you like Benyaro, you may also like: